How much would you put up with to have a dream job? Would
you work in a tiny cubicle without windows, take a cut in pay, move to a
strange town? Would you work for a crazy person? Would you be her close,
personal assistant if it meant you had a once-in-a-lifetime opportunity?
I was studying in Rome, my last quarter before I completed
my Bachelors degree (at the age of 32). My field was Art History and I
spoke Italian, so, yeah, I was up for new experiences and a job, and would definitely
be interested in staying in Rome. Then I met La Professoressa.
It started with Caravaggio, the bad boy of Italian Baroque
painting. While I was in Rome I wanted to see as many of his paintings as I
could. It's not hard - they're in churches and museums all over the city. But
one of his big ones,
Deposition from the
Cross, was in a part of the Vatican Museums that was closed.
Most of my
fellow students were Classicists and were indifferent to the Baroque art and
architecture of Rome, but Karen shared my interest. The two of us were walking
towards the Campo dei Fiori and talking about how disappointed we were to not be
able to see this one painting because that part of the museum was
in restauro. A woman ahead of us whipped
around to look at us and said, in a British accent, "I can get you in to
see it!"
She was middle-aged and hyperactive. Her graying hair was pulled
back into a classic ponytail. She had large, round glasses, orange lipstick,
and a leopard-print jacket. Her accent was what I later learned to describe as
"posh." She spoke in an animated manner and explained that she was an
art historian who lived in Rome, and she was working on a project photographing
ceiling murals. She introduced her extremely meek daughter, who I hadn't even
noticed and who was carrying the camera equipment.
La Professoressa chatted excitedly for awhile, and we made plans to
meet soon.
I really can't remember the sequence of events, and the
minor details are unimportant. But over the course of the next few weeks I saw
her four or five times. She was generous - she took Karen and I out to see some
sights and also got us invited to a reception for Roy Lichtenstein at the
American Academy in Rome. She took me along when she and her daughter went to
photograph a mural at a private palazzo, and another time I had lunch with her
at a tiny local ristorante where there was no sign on the door, and we were led
into the kitchen to see what they were cooking that day.
La Professoressa was fluent in
Italian, and seemed to create a whirlwind wherever she went. When she spoke her arms waved
wildly and foamy spittle collected at the sides of her mouth.
I came to learn she had been born in Malay to British ex-pats, and claimed
to have stabbed to death a man who raped her during the war when she was nine
years old. She had studied at the Sorbonne, or else the Sorbonne had financed
her current project. Her quiet daughter was her eldest and, I believe, the only
one who still spoke to her. Another daughter had allegedly performed a sex act with
an animal for a porn video, which she sent to her mother for spite.
The last time I saw her, I had been invited along with
another student, Tyler, to join her on a tour of the Quirinale Palace, the
official home of the Italian president. There were others in the group -
American Army officers and their families who were recently posted to Rome -
and La Professoressa wanted us along
to soften them up. She was hoping to get American financing for her
research.
Tyler and I went to her apartment before going to the Quirinale,
and she looked over what we were wearing to see if we would make a good
impression on the military men. She asked Tyler to remove his earring, which he
refused to do. All this time she was also talking about the work I would do for
her if I stayed in Rome - her daughter wanted to return to England, and La Professoressa needed an assistant.
She implied that I would eventually acquire the photographs if I worked for her. I would catalog them, and help carry the cameras and film
and tripod on shoots. I would make sure she got the pictures she needed, and that
she wouldn't forget to eat. I would help her get home at night after
a long day on her feet - and put her to bed!
While she was chattering, she was trying to get me
to wear some jewelry of hers, a choker that she was going to let me borrow. I
already knew I didn't want to see her again. Tyler and I were going to make
our excuses and leave after the tour, and I did not intend to
return to La Professoressa's
apartment to return the choker. I demurred on the jewelry, and I told her that I appreciated all she
had done for me, but I also did not want to work for her. She sputtered about
how it was a wonderful opportunity, and why didn't I want to take it? I said,
"Because I don't want to wear the choker."
There was silence. But she knew what I meant. She was cool
to us during the tour, while she turned her charm on the officers and their
wives. After we left the Quirinale, Tyler and I had a peaceful afternoon in
Rome, and I never saw
La Professoressa
again.
But a few weeks ago I was curious. I wanted to find out if
she had ever published her photographs - or anything, for that matter. The only
references I found to her on Google were old news stories about a court case in Britain a couple of
years before I met her. Her husband's family was quite wealthy, and her
father-in-law had left a certain amount of money to each of his adult grandchildren.
To spite her own children, she claimed that her younger three were not the
offspring of her husband and did not have a right to the inheritance. She
said they had been fathered by three different men! The judge more or less
threw the case out, saying the children had been accepted as part of the family
for their entire lives.
You can't make this stuff up, folks!
She never got me in to see Deposition
from the Cross, but I did see it on another trip. And I
tell you now, I have never regretted walking away from that "dream"
job.
Val